According to Julian Young, Martin Heidegger was a Luddite in his early philosophical phase and believed in the destruction of modern technology and a return to an earlier agrarian world.[12] However, the later Heidegger did not see technology as wholly negative and did not call for its abandonment or destruction.[13] In The Question Concerning Technology (1953), Heidegger posited that the modern technological “mode of Being” was one which viewed the natural world, plants, animals, and even human beings as a “standing-reserve” — resources to be exploited as means to an end.[13] To illustrate this “monstrousness”, Heidegger uses the example of a hydroelectric plant on the Rhine river which turns the river from an unspoiled natural wonder to just a supplier of hydropower. In this sense, technology is not just the collection of tools, but a way of Being in the world and of understanding the world which is instrumental and grotesque. According to Heidegger, this way of Being defines the modern way of living in the West.[13] For Heidegger, this technological process ends up reducing beings to not-beings, which Heidegger calls ‘the abandonment of Being’ and involves the loss of any sense of awe and wonder, as well as an indifference to that loss.[13]
— Heidegger

(Source: Wikipedia)

coreyolsen:
“ Inc 5000 for Inc Magazine, 2015
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coreyolsen:

Inc 5000 for Inc Magazine, 2015

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(via vuu-studio)

Yes, there is death in this business of whaling—a speechlessly quick chaotic bundling of a man into Eternity. But what then? Methinks we have hugely mistaken this matter of Life and Death. Methinks that what they call my shadow here on earth is my true substance. Methinks that in looking at things spiritual, we are too much like oysters observing the sun through the water, and thinking that thick water the thinnest of air. Methinks my body is but the lees of my better being. In fact take my body who will, take it I say, it is not me. And therefore three cheers for Nantucket; and come a stove boat and stove body when they will, for stave my soul, Jove himself cannot.

What could be more full of meaning?—for the pulpit is ever this earth’s foremost part; all the rest comes in its rear; the pulpit leads the world. From thence it is the storm of God’s quick wrath is first descried, and the bow must bear the earliest brunt. From thence it is the God of breezes fair or foul is first invoked for favourable winds. Yes, the world’s a ship on its passage out, and not a voyage complete; and the pulpit is its prow.

I say so strange a dreaminess did there then reign all over the ship and all over the sea, only broken by the intermitting dull sound of the sword, that it seemed as if this were the Loom of Time, and I myself were a shuttle mechanically weaving and weaving away at the Fates. There lay the fixed threads of the warp subject to but one single, ever returning, unchanging vibration, and that vibration merely enough to admit of the crosswise interblending of other threads with its own. This warp seemed necessity; and here, thought I, with my own hand I ply my own shuttle and weave my own destiny into these unalterable threads.

The work of a student (forgetting which student now) of Ernst Schneidler, presented by the Letterform Archive. #typography #letterforms (at Rose Auditorium, The Cooper Union)

The work of a student (forgetting which student now) of Ernst Schneidler, presented by the Letterform Archive. #typography #letterforms (at Rose Auditorium, The Cooper Union)

vuu-studio:
“submissions are open! ✌️👋 (at VUU studio)
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vuu-studio:

submissions are open! ✌️👋 (at VUU studio)